[ Unname-1% Smash and Revive the Profile of The Time ]
Lin Jun-Liang solo exhibition
林俊良個展 [ 未命名- 1% 時間輪廓之粉碎與再重製
2010/05/01 ~ 2010/05/30
Lin Jun-Liang solo exhibition
林俊良個展 [ 未命名- 1% 時間輪廓之粉碎與再重製
2010/05/01 ~ 2010/05/30
The “Unname,” here means temporary saved files in the computer, the phase when the objects have not been given the accurate names, rather than not be able to be named, or cannot be defined. In the computer, the default files, pre-exist to be officially named, are all using “Un-” to arrange the objects into the future tense time dimensions, and to be included into the wait list for giving names. When “Named” and “Unname” are ambiguous, the code “%” exists right away which represents the strong and weak signal in the content of massages. % of thickness/ thinness or concentration/ dilution will then produce the heat and cooling spaces which measured by accumulating the signals.
The way of delivering the signal, simple yet complicated, is quite abundant, but the result has been simplified. Although it fits the accelerating and speeding requests in our modern life, the content has lied in between of distinct and indistinct. Therefore pause (temporarily saved) is the device for pursuing distinct; it makes the connection from the sight to the brain to halt and decelerate. Through the links between codes and cubes of square in Lin Jun Liang’s works, the identifiable lines and the profiles of message shall be constantly preserved. Interlaced distinct and indistinct images have fulfilled the imaginations and perceptions of viewers who are then fascinated by the unpredictable twists and deformations.
未命名,無法命名,並非無法定義或歸類而不命名,意指電腦化的暫存,而暫存的物件仍處於未給予正確名字的階段,所以在電腦預設的檔名,都以「未」這個字將物件排置未來式的時間向度,並列入等待「命名」的後補名單之中,等待被正式命名而事先存在。當「已命名」與「未命名」處於一種曖昧時,訊息的內容也類似強、弱訊號,持續變換,產生熱度,「%」的符碼隨即存在,以累積計量的方式,增加訊息的厚度和濃度,以及訊息冷卻的空間。
訊息(訊號)即單純又複雜,表達的方式相當豐富,「結果」卻有所簡化,雖然符合與超速的現代,但是會造成內容介於模糊與清晰之間,於是暫停(暫存)是種追求清晰的手段,使得視覺和腦海的接收稍做停留與緩速,透過編碼與方塊的串連,持續保留可辯識的流線與訊息的輪廓。畫面的模糊與清晰,正交錯地滿足人們想像與認知「內」,早已存在的真實樣貎。於是,意外的扭曲與異狀,才虛幻、精彩,令人著迷。
The way of delivering the signal, simple yet complicated, is quite abundant, but the result has been simplified. Although it fits the accelerating and speeding requests in our modern life, the content has lied in between of distinct and indistinct. Therefore pause (temporarily saved) is the device for pursuing distinct; it makes the connection from the sight to the brain to halt and decelerate. Through the links between codes and cubes of square in Lin Jun Liang’s works, the identifiable lines and the profiles of message shall be constantly preserved. Interlaced distinct and indistinct images have fulfilled the imaginations and perceptions of viewers who are then fascinated by the unpredictable twists and deformations.
未命名,無法命名,並非無法定義或歸類而不命名,意指電腦化的暫存,而暫存的物件仍處於未給予正確名字的階段,所以在電腦預設的檔名,都以「未」這個字將物件排置未來式的時間向度,並列入等待「命名」的後補名單之中,等待被正式命名而事先存在。當「已命名」與「未命名」處於一種曖昧時,訊息的內容也類似強、弱訊號,持續變換,產生熱度,「%」的符碼隨即存在,以累積計量的方式,增加訊息的厚度和濃度,以及訊息冷卻的空間。
訊息(訊號)即單純又複雜,表達的方式相當豐富,「結果」卻有所簡化,雖然符合與超速的現代,但是會造成內容介於模糊與清晰之間,於是暫停(暫存)是種追求清晰的手段,使得視覺和腦海的接收稍做停留與緩速,透過編碼與方塊的串連,持續保留可辯識的流線與訊息的輪廓。畫面的模糊與清晰,正交錯地滿足人們想像與認知「內」,早已存在的真實樣貎。於是,意外的扭曲與異狀,才虛幻、精彩,令人著迷。